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blackandcurvy:

My tumblr is MisforMika.
weiyulive:

Keith Piper, Past Imperfect, Future Tense, The Black-Art Gallery (1984)
blackcontemporaryart:

Go West Young Man, Keith Piper, 1987
creative-cap:


Jenny Gill: Thomas Greene Wiggins is a fascinating historical figure. When did you start conceptualizing a narrative around his life and experience?
Jeffery Renard Allen: I first became interested in writing a fictional narrative about Tom Wiggins in 1998 after reading a brief account of his life in Oliver Sacks’ book An Anthropologist on Mars. Here was a guy who was one of the most famous people of his time, probably the most famous pianist of the 19th century, the first African American to perform at the White House, who had somehow slipped through the cracks of history. I was also intrigued by Sacks’ description of Tom’s stage performances, which were ahead of their time in his ability to play three songs at once in different keys and play compositions that mimicked non-musical phenomena.  
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Jeffery Allen’s #CCproject “Song of the Shank” is now available for purchase through Graywolf Press. The novel is based on the life of fabled 19th-century African American pianist and singer Blind Tom, pictured above.
blacklesbiancouples:

<3 <3 <3 
highgatedreams:

London teenagers 1975

killerkurves:

Olivia Campbell - vote for her as best model at britishplussizeawards

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goldenlady25:

New Rich Life Collection from Pop Up Plus NY. All looks are under $50.00 making it affordable for all. Check it out!

Check out my blog for more looks!

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Carlannie  @ SXM Carnival 2013(St.Marrten, W.I.)

…..Mother N Daughter Enjoying the Carnival(Dominicanas)

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Black women artists are here, we exist and we exist positively despite the racial, sexual and class oppressions which we suffer. However, we must first point out the way in which these oppressions have operated in a wider context - not just the art world, but also in the struggles for Black and female liberation.

Chila Kumari Burman, ‘There Have Always Been Great Black Women Artists,’ in Charting the Journey: Writings by Black and Third World Writers, 1988 (via blackcontemporaryart)

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"I had always believed that I could do anything, and when you’re in school you can do anything. You can play any role, you can play any age, because that’s what you do at school. But the realization that they really didn’t make movies or TV shows about black women… I suddenly panicked. I just had this panic like ‘Oh my god, I spent all this time to do this thing that the industry is not set up for me to succeed in this thing.’ So I freaked out. I freaked out." - Tracie Thoms: Life After Juilliard

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Black Culture

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